Friday, July 03, 2009

THE AFTER LIFE: Marcy Playground - "It's Saturday"



It's a shame that the career of Marcy Playground will forever be "Sex and Candy" repeats, as if they were a one-trick pony. To a group of lazy listeners, of course the three-piece was nothing more than a prelude to sexual innocence--and while their career outside of the hellish MTV spotlight was not as resilient or robust as other supposed one-hit wonders of the 90s, it wasn't for a lack of trying.

The band's second album, Shapeshifter, was stronger in every aspect when held against their self-titled debut. Aside from the singles "Sex and Candy" and the awesome choral guitar riff of "Saint Joe on the School Bus" (complete with an awesome Hammer and Tongs video), the album was vapid late-90s alterna-pop that deserved to melt in the summer sun right alongside their now-annoying hit. Shapeshifter, however, was a darker affair. Much of it hasn't withstood the ten years of dust and decay it has accumulated, but led by the single "It's Saturday" and its playful under the covers adventure, the album produced a handful of top notch pop. Five of first six songs (excluding "Secret Squirrel") on Shapeshifter find the band with a rhythm--as apathetic as it may seem--and a purpose in making music.

The band toyed with calling it day but come Tuesday, they release Leaving Wonderland...In a Fit of Rage. It'll be interesting to hear what they have to offer the world after their horrifically uninspired third album, MP3, landed to no fare--even from fans--in 2004. Maybe they still can write a Nada Surf rebirth for themselves but the trip ahead is a long one and not as cute and neat as "It's Saturday."

TOUR DATES: Death



Death will play three shows involving the whole of For the Whole World to See. Should you be in or near one of these three cities when the time comes, get off yer lazy ass and go.


DETROIT- FRIDAY SEPTEMBER 25, 2009 @ MAGIC STICK
CHICAGO - SATURDAY SEPTEMBER 26, 2009 @ EMPTY BOTTLE
CLEVELAND - SUNDAY SEPTEMBER 27, 2009 @ BEACHLAND BALLROOM

NOISE SHOW: Can't Or Won't Not

Admission: Adam Cooley (infamously of Robe. and Scissor Shock) is from our editor's hometown, which if you knew where it was, would blow your mind. Their paths have never crossed (we're sure it's a difference of age) but that a tiny Indiana hamlet has produced an avant adventurer is enough to melt the icy cockles in all of us.

We won't even pretend to know what's going on in the cacophony of time-lapse, stop-motion, animation, and vivid collages in Can't Or Won't Not, an experimental film so out-of-orbit that the minds behind it have chopped its carcass into five thinly diced pieces and thrown it on the hibachi known as YouTube.

Description of nothing you're about to witness:

This film is a so-called "experimental film" about 4 mentally-challenged artists: Can't (played by Adam Cooley), whose claim to fame as a child was painting the Mona Lisa on a piece of bread. The bread, though moldy and disgusting at this point, is hanging at a local art gallery. He was supposed to be a genius at the arts, but but he never did anything with his life except marry Or (played by She Who Will Not Be Named), a former model/performance artist who accidentally got burned during one of her "performances". She got so damaged that they had to put a beautiful mannequin body over top of her real body. She now broods in a dungeon, not having sex with Can't because she got the AIDS virus from a skeleton (named Skelly) she cheated on Can't with. She is now spending her time injecting the AIDS virus into people when she's not in her dungeon. They are both friends with Won't (played by Robert Smith) and Not (played by Kelly Oliphant. They like to get diarhea painted on their faces and lick each other. Enjoy this synopsis, because it really doesn't explain what this film is about. You're on your own!










NEWS + MP3: Neon Indian navigates the Psychic Chasms


Things you'll need to explore Psychic Chasms, due October 13th via Lefse, with Neon Indian's Alan Palomo:

-Dancing shoes
-Headphones
-Your best late 70s/early 80s disco outfit
-A taste for the Korg

If you checked off each of these items, then enter at your own funky risk.

Neon Indian - "Terminally Chill"


Neon Indian delivers equal parts synthetic nostalgia, Dreampop lullabies, and grinding guitar noise to create something eerier than the sum of its parts. Forged after a hazy winter gathering in Texas, this initial batch of tracks were the result of field recordings, record samples, a collection of bizarre synth sounds. Soliciting the visual acrobatics of Video artist Alicia Scardetta, this project is setting out to be a multimedia maelstrom. Orbiting around the themes of drug induced heartbreak, weary afternoons, and lost chances, this music provides a lush soundtrack to the deadbeat exploits of teenage ennui.

Psychic Chasms Tracklisting:

1. (AM)
2. Deadbeat Summer
3. Laughing Gas
4. Terminally Chill
5. (If I knew, I'd tell you)
6. 6669 (i dont know if you know)
7. Should have taken acid with you
8. Mind, Drips
9. Psychic Chasms
10. Local Joke
11. Ephemeral Artery
12. 7000 (reprise)

Thursday, July 02, 2009

NEWS: Noveller shirks brown acid; still sees Red Raibows

The music world loves a gal with drones. Just ask 'em--and just ask Sarah Lipstate AKA Noveller. Lipstate's musical dalliance has bred Red Rainbows, due September 1st via Carlo Giffoni's No Fun.


Red Rainbows is full of growing tonal drones that evoke visions of menacing multicolored skies alongside tracks full of beautiful minimalist structures that shoot straight for the heart. Sarah uses double-neck guitar and various electronics to create breathtaking atmospheres with an intensity that works on both a cognitive and emotional level. These tracks are either really beautiful or really dirty when the time is right, which is the key here. Sarah knows what she is doing and when to do it. This is an essential initial document from one of the new artists bending abstract sound into meaningful structures. Includes a collaboration with Carlos Giffoni. This is an enhanced CD and includes the short film “Interior Variations.”

Red Rainbows Tracklisting:

1. Rainbows
2. Brilliant Colors
3. St. Powers
4. Tunnels
5. Bends

NEWS: Mission Creek Music & Arts Festival announces line-up

An argument could be made that the world is being bombarded with TOO many festival choices. It's a given that should you grace (or live in approximation to) a metropolis, you're going to find at least one festival that draws your attention, takes your money, and drives you to get out the doors and into the crowds.

The purpose of these festivals, no matter the impression, is to unite fans and artists into one large consortium--it's a chance for a laundry list of your favorites to play in one place during designated time frames.

As it happens, Oakland and San Francisco's Mission Creek Music & Arts Festival has a rather long duration (July 10th - 25th) and a host of venues. However, it breaks the mold in this, its 13th year, by offering its first free all-ages event featuring Kelly Stoltz and The Moore Brothers among the crowded line-up. Others scheduled to partake of the festival include Evangelista, The Oh Sees, and Sic Alps. Get stoked.


Film,
dance, art, and multimedia programs will be featured in a variety of Bay
Area venues, both big and small.

In addition to its experimental music and performance series, Collision,
at the Lab, and global music-spanning series, Convergence, at various
Oakland and S.F. venues, the festival will also present is first free,
all-ages, outdoor concert at McLaren Park’s Jerry Garcia Amphitheater on
July 18. L.A.’s Dead Meadow will headline the show that will otherwise
showcase local rock, folk, and pop performers such as Kelley Stoltz, the
Moore Brothers, and Leopold and His Fiction. L.A.’s Devon Williams and the
Bahamas’ Xoel Lopez will also appear.

Friday, July 10
The Knockout, 3223 Mission, S.F. (415) 550-6994, www.theknockoutsf.com/
SMiLE! presents
Benefit for Mission Creek Music & Arts Festival
9 p.m., $7
Featuring:
Trust www.myspace.com/trustthetrust
EFFT www.myspace.com/weareefft
Jeepster www.myspace.com/jeepsterarmy

Saturday, July 11
Rooz Café, 1918 Park Blvd., Oakland, (510) 267-0110, www.roozcafe.org
1 p.m. – 11 p.m., $10 suggested donation
Grand Lake www.mpspace.com/grandlakemusic.com
Make Me www.myspace.com/makemeoakland
White Clouds www.myspace.com/whitecloudband
Blank Tapes www.myspace.com/theblanktapes
Colossal Yes www.myspace.com/colossalyesrock
The Splinters: www.myspace.com/thesplintersband
Ghost in the City (Oakland) www.myspace.com/ghostandthecity
Dashing Suns (Oakland) www.myspace.com/thedashingsuns
Double U www.thedoubleu.com/

Sunday, July 12
21 Grand, 416 25th St., Oakland, (510) 444-7263, www.21grand.org
8 p.m., $7 suggested donation
Djun Djun Drum Heroes
Zoo myspace.com/zooisaband
Ryder Cooley http://www.carolynrydercooley.com/

Monday, July 13
Rooz Café www.roozcafe.org
Flexions www.myspace.com/flexions.com
Young Savage

Wednesday, July 15
The Knockout www.theknockoutsf.com/
9 p.m.–2 a.m., $7
The Mission Creek Music & Arts Festival and SMiLE! present
The Aerosols Www.Myspace.Com/Theaerosols
Dreamdate Www.Myspace.Com/Dreamdater
My First Earthquake Www.Myspace.Com/Myfirstearthquake
Sonny & The Sunsets www.myspace.com/sonnysets

Wednesday, July 15
Argus Lounge, 3187 Mission, S.F. (415) 824-1447, www.arguslounge.com/
9 p.m., $5
The Double U http://www.thedoubleu.com/
Top Critters http://www.myspace.com/topcritters
The Why Because http://www.myspace.com/thewhybecause

Wednesday, July 15
El Rio, 3158 Mission, S.F., (415) 282-3325, www.elriosf.com
Collosal Yes www.myspace.com/colossalyesrock
The Love Dimension www.myspace.com/thelovedimension
123 Picnic myspace.com/123picnic
Nick Jaina myspace.com/nickjaina

Thursday, July 16
Argus Lounge www.arguslounge.com/
9 p.m., $5
Brandon Nickell http://www.myspace.com/isoaemae
Al Qaeda http://www.myspace.com/theealqaeda
Horseflesh http://www.myspace.com/chambararecords
Weird Habit http://www.myspace.com/weirdhabit

Thursday, July 16
Cafe Du Nord, 2174 Market, S.F., (415) 861-5016, www.cafedunord.com
9 p.m., $10 Adv-$12 Door
The Lumerians http://www.myspace.com/lumerians
Graveyard (Sweden) www.myspace.com/graveyardsongs
Citadelle www.myspace.com/bandcitadelle

Thursday, July 16
The Eagle, 398 12th St., S.F., (415) 626-0880, www.sfeagle.com/
The Oh Sees http://www.myspace.com/ohsees
Meth teeth (Portland, OR) http://www.myspace.com/methteethmusic
Buzzer http://www.myspace.com/buzzeroakland
Ty Segall http://www.myspace.com/tysegall

Thursday, July 16
Kimo’s, 1351 Polk, S.F., (415) 885-4535, www.myspace.com/kimosbarsf
9 p.m. – 2 a.m., $7
Schande www.myspace.com/schande
Excuses for Skipping www.myspace.com/excusesforskipping

Friday, July 17
Adobe Book Shop, 3166 16th St., S.F., (415) 864-3936
Free
Art opening 7 p.m.
Subversive Cursive 8-9 p.m.
Readings by Leigh Gallagher, Chaim Bertman, and Gravity Goldberg
Music by Jessica Pratt www.myspace.com/DedFlowrs

Friday, July 17
Kimo’s www.myspace.com/kimosbarsf
9 p.m.-2 a.m., $7
Casey & Brian (7-inch release) www.myspace.com/casyandbrian
Unicorn Basement www.myspace.com/unicornbasementmusic
Kitten Forever www.myspace.com/kittenforeverrr
Elle Nino www.myspace.com/elleninosf

Friday, July 17
The Eagle www.sfeagle.com/
8 p.m., $10
Carla Bozulich/Evangelista http://www.myspace.com/carlabozulich
Oaxacan http://www.myspace.com/oax
Brandon Nickell http://www.myspace.com/isoaemae
Orhima David Lim, Jay Korber on drums, Jake "Bran Pos" Rodriguez on
vocals -http://www.myspace.com/jaykorber http://www.myspace.com/branpos
Limousine
Brandon Nickell http://www.myspace.com/isoaemae
Braden Diotte http://www.myspace.com/bradendiotte
Art Lessing & The Flower Vato - http://www.myspace.com/artlessing

Saturday, July 18
McLaren Park, Jerry Garcia Amphitheater, S.F.
http://www.jennalex.com/projects/fomp/h ... index.html
11:30 a.m. – 8 p.m., free, all ages
The Mission Creek Music & Arts Festival,
Kymberli's Music Box & SMiLE! present
Dead Meadow (LA) www.myspace/deadmeadow
Kelley Stoltz www.myspace.com/kelleystoltz
Persephone's Bees www.myspace.com/persephonesbees
The Rubies www.rubiesmusic.net/
Bart Davenport www.myspace.com/bartdavenport
Xoel Lopez (Spain) www.myspace.com/xoelopez
Leopold & His Fiction www.myspace.com/leopoldandhisfiction
Devon Williams (LA) www.myspace.com/devonwilliams
The Moore Brothers www.myspace.com/themoorebros
Brian Glaze & The Night Shift www.myspace.com/brianglazeusyahoo.com
Coatsie & Mellows www.myspace.com/brentfellowsmusic
DJ Neil Martinson & Vikki V., & Special Guests
Music - Food - Arts – Fun

Saturday, July 18
Bottom of the Hill, 1233 17th St., S.F., (415) 621-4455,
www.bottomofthehill.com/
10 p.m., $10 Adv/$12 Door, 18+
Three Mile Pilot www.myspace.com/threemilepilot
Optiganally Yours www.optigan.com/content/optiganally-yours

Sunday, July 19
Bambuddah Lounge & Phoenix Hotel, 601 Eddy, S.F., (415) 885-5088,
www.bambuddhalounge.com
A&R Party/SOMA Release party
3 p.m. – 8 p.m., free
Fashion show
Craig Ventresco www.craigventresco.com/
Xoel Lopez (Spain) www.myspace.com/xoelopez
DJ Neil Martinson & Vikki V.

Sunday, July 19
Bottom of the Hill www.bottomofthehill.com
9 p.m., $10 Adv / $12 Door, all ages
Judgement Day www.stringmetal.com/
Triclops www.myspace.com/triclopsband
The Definite Articles www.myspace.com/thedefinitearticles

Sunday, July 19
Kimo’s www.myspace.com/kimosbarsf
Performer Magazine Showcase
Fauna Valetta www.myspace.com/faunavaletta
Branden Daniel & Everybody Gets Laid (Seattle)
www.myspace.com/brandendaniel
The Old Stoic www.myspace.com/oldstoic
Mode myspace.com/modtemple

Monday, July 20
Cafe du Nord www.cafedunord.com
8 p.m., $10 Adv / $12 Door
Miranda Lee Richards (LA) www.myspace.com/mirandaleerichards
Emily Jane White www.myspace.com/emilyjanewhite
Helene Renaut www.myspace.com/helenerenaut
Chloe Makes Music www.myspace.com/chloemakesmusic

Tuesday, July 21
Cafe du Nord www.cafedunord.com
8 p.m., $10 Adv/$12 Door
Birds & Batteries birdsandbatteries.com
Sam Flaxx Keener
Sean Smith & the Present Moment www.myspace.com/seansmithlives
Chris Lacey

Tuesday, July 21
The Knockout www.theknockoutsf.com/
9 p.m.–2 a.m., $7
Hot Lunch www.myspace.com/hotlunchrules
Paula Frazer www.myspace.com/paulafrazer
Casual Fog (Nevada City) www.myspace.com/casualfog
Jeff Ramuno (La) www.myspace.com/jefframuno

Tuesday, July 21
Argus Lounge www.arguslounge.com/
9 p.m., $5
Inca Ore http://www.myspace.com/incaoreincaore
The Sarees http://www.myspace.com/thesarees
Ora Cogan http://www..oracogan.com/
Black Bow http://www.myspace.com/blackbowblackbow

Wednesday, July 22
Argus Lounge www.arguslounge.com/
9 p.m., $5
Shy Grape http://www.myspace.com/sugarpinesugar
The Slaves http://www.myspace.com/sevalseht
Kwisp http://www.myspace.com/alienkwisp
Temptation http://www.myspace.com/temptationisnear
NVH http://www.myspace.com/noelvonharmonson

Wednesday, July 22
The Knockout www.theknockoutsf.com/
9 p.m.-2 a.m., $7
Warpaint (LA) www.myspace.com/worldwartour
Xoel Lopez www.myspace.com/xoelopez
White Music www.myspace.com/httpmyspacecomwhitemusic
Moonrats (LA) www.myspace.com/moonrats

Wednesday, July 22
El Rio www.elriosf.com/
9 p.m., $5
3 Leafs http://www.myspace.com/3leafs
Long Legged Woman www.myspace.com/longleggedwoman
Jaws http://www.myspace.com/jawsjawsjaws
Sex Worker www.myspace.com/xsexworkerx
DJ Tristes Tropiques www.myspace.com/djtristestropiques

Thursday, July 23
The Knockout www.theknockoutsf.com/
9 p.m.-2 a.m., $7
The Botticellis www.myspace.com/thebotticellis
Gravid Wives (featuring Hans Dobbratz & Antonette Goroch)
www.myspace.com/roycehaventhefirst
Family Trea www.myspace.com/familytrea

Thursday, July 23
The Eagle www.sfeagle.com/
9 p.m., $10
Extra Action Marching Band (www.extra-action.com
Jessie Evans (www.myspace.com/jessieevansmusic)
Bronze (www.myspace.com/copperclub)
The Something Experience http://www.myspace.com/thesomethingexperience

Thursday, July 23
Hemlock Tavern, 1131 Polk, S.F., (415) 923-0923. www.hemlocktavern.com
9 p.m., $7
"Awesome Vistas"
Sic Alps http://www.sicalps.com/
Linda Hagood http://www.myspace.com/lindahagood
Tom Greenwood http://www.myspace.com/5225222
Dragging an Ox Through Water www.dragginganox.blogspot.com

Thursday, July 23
Argus Lounge www.arguslounge.com/
9 p.m., $5
kkn http://www.myspace.com/40059154
Jason Grier http://www.myspace.com/creepland
Kid Alice http://www.myspace.com/kidalice

Friday, July 24
Argus Lounge www.arguslounge.com/
9 p.m., $5
The Drums www.myspace.com/thedrumthedrums
Wendy Farina & Bianca Sparta (from T.I.T.S. & Erase Errata respectively)
Improv trio with William Winant www.williamwianat.com
Weasel Walter http://nowave.pair.com/weasel_walter.com
& Moe! Staiano
http://www.bayimproviser.com/artistdeta ... tist_id=50
Jason Gonzales

Friday, July 24
The Knockout www.theknockoutsf.com/
9 p.m.-2 a.m., $7
Hard Place (LA) www.myspace.com/hardplace
Harry Merry (Netherlands) www.myspace.com/harry9merry
Agent Ribbons (Sacramento) www.myspace.com/agentribbons
Franklin's Mint www.myspace.com/franklinssmint

Friday, July 24
El Rio www.elriosf.com/
10 p.m., $7
Hunx & His Punx http://www.myspace.com/hunxsolo
Icy Lytes http://www.myspace.com/icylytes
Myles http://www.mylescooper.com/

Friday, July 24
Adobe Book Shop
Free
Shimomitsu www.myspace.com/shimomitsu
Softserv www.myspace.com/softservspecial

Saturday, July 25
Bottom of the Hill www.bottomofthehill.com/
9:30 p.m., $10, 18+
Maus Haus http://www.myspace.com/maushausmusic
Rainbow Arabia www.myspace.com/rainbowarabia
Pierre Le Robot www.myspace.com/pierrelerobot

Saturday, July 25
Area 51
9 p.m., $10
T.I.T.S. http://www.titsacrossamerica.com/
KIT http://www.myspace.com/vvkitvv
The Amazements http://www.myspace.com/theamazements
White Pee http://www.myspace.com/whitepee

FILM SERIES
Screenings will be held from July 16-19 at Artists’ Television Access, 992
Valencia, S.F., (415) 824-3890, www.atasite.org. Look for more
announcements soon.

Saturday July 18
5 p.m., $5
Glam-o-Rama
Get out your amethyst-encrusted platform boots & primp your fuchsia mullet
for a program of rare & lost television appearances, documentaries, videos
& live performances from the giants of glam rock: Bowie, Roxie Music,
Slade, T Rex, Sweet & many more!

Saturday, July 18
7 p.m., $5
Faust: Nobody Knows if It Ever Happened + Krautrock smorgasbord
A striking document of the ‘90s reunion of legendary Krautrock band Faust,
captured live in all their post-industrial glory at the legendary 1996
Faust Garage concert. Program will also feature rare performance footage &
interviews from the giants of Krautrock: Kraftwerk, Neu, Tangerine Dream,
Klaus Schulze, & many more.

Sunday, July 19
7 p.m., $5
Arthur co-presents Invasion of the Thunderbolt Pagoda + Paradise Now
Take an alchemical journey with Ira Cohen's Invasion of the Thunderbolt
Pagoda, a mythosphere filtered through Mylar and worthy of Kenneth Anger's
most lysergic moments, with ritual music provided by ex-Velvet
Undergrounder Angus MacLise. Also on the program is Marty Topp's Paradise
Now: The Living Theatre in Amerika. "Life, revolution and theater are three
words for the same thing: an unconditional NO to the present society" -
Julian Beck.


COLLISION SERIES

Collision is a showcase for sound artists, experimental musicians, and
collaborating artists working in media such as video, film, dance, theater,
sound, and media arts. All Collision performances are at the Lab, 2948 16th
St., S.F., (415) 864-8855, www.thelab.org. Christian Pallin (Sweden) DJs
every night of Collision (http://www.myspace.com/kolonigbg,
http://www.kolonigbg.se).


Wednesday, July 15
darwinsbitch http://darwinsbitch.com/
Oth (Jaqueline and Rose) http://0th.cc/
Nim (Alexander Berman)(Sweden) http://www.myspace.com/niminalism
Hora Flora http://www.myspace.com/horaflora

Thursday, July 16
Ryder Cooley http://www.carolynrydercooley.com/
MAG (Magdalena Ågren)(Sweden) http://www.myspace.com/magagren
Christine Shields http://orangezest.com/

Friday, July 17
Ann Magnuson http://annmagnuson.com/index.html
Dynasty Handbag http://www.dynastyhandbag.com/
Curly Lou (Clara Gustavsson) (Sweden) http://www.myspace.com/vocalissa

Saturday, June 18
Zachary Watkins http://www.zacharyjameswatkins.com/
Jim Haynes http://www.helenscarsdale.com/haynes/
The Toilet (Dennis)(Sweden) http://www.myspace.com/toiletpower


CONVERGENCE SERIES


Wednesday, July 15
Peña Pachamama, 1630 Powell, S.F., (415) 751-6090,
http://penapachamama.com/
8 p.m. doors, $12, all ages, world beat
Freddy Clarke (USA) www.freddyclarke.com

Thursday, July 16
Peña Pachamama http://penapachamama.com/
8 p.m. doors, $12, all ages, flamenco
Carola Zertuche (Spain/USA) www.penapachamama.com

Friday, July 17
Oakland Metro Opera House, 630 Third St., Oakland, (510) 763-1146,
www.oaklandmetro.org/
8:30 p.m., $15, all ages, post-punk/indie
Inkblots (USA) http://www.inkblotsmusic.com
Con Of Man (USA) http://www.myspace.com/conofman
Dezu (USA) http://ww.myspace.com/dezurockero
Los Valenberg (USA) www.myspace.com/losvalenbergm
Sagaval (USA) www.myspace.com/sagaval
Tierra & Fuego (USA) www.myspace.com/tierrayfuegorock
Qodice (USA) www.myspace.com/qodice

Saturday, July 18
Boabab Village (formerly Bollyhood Café), 3372 19th St., S.F.,
www.bissapbaobab.com
screenings from 7-10 p.m., free
Rhythmic Uprising pre-party preview (Brazil/USA)

Saturday July 18
Mission Creek Music & Arts Festival Benefit
The Blue Macaw, 2565 Mission, S.F., (415) 920-0577, thebluemacawsf.com
9 p.m.,$15 Adv/$20 Door, Latin, alternative, electronic, pop
Juan Son (Mexico) http://www.myspace.com/juansonmusic
Nacotheque (Mexico/USA) http://www.nacotheque.com
Pop Noir (USA) http://www.popnoir.org
Dj Fancy Guey (Mexico/USA) http://www.fancyguey.com

Thursday, July 23
The Blue Macaw thebluemacawsf.com
8:30 p.m., $10, Latin, alternative, surf rock
The Cuban Cowboys (Cuba/USA) - http://www.myspace.com/cubancowboys
The Grave Brothers Deluxe (USA)-
http://www.myspace.com/thegravesbrothersdeluxe
Carne Cruda (USA) - http://www.myspace.com/carnecruda

Saturday, July 25
Mission Cultural Center For Latino Arts, 2868 Mission, S.F., (415)
643-2775, www.missionculturalcenter.org/
3:30 p.m., $7, all ages, documentary film
Rhythmic Uprising (Brazil/USA) premier screening
www.rhythmicuprising.org

TOUR DATES + MP3: The Horse's Ha



The Horse's Ha - "Asleep in a Waterfall"
The Horse's Ha - "The Piss Choir"



Fri. July 3 -- Chicago, IL @ Schuba's w/ Castanets - Record Release Show
Mon. July 27 -- Pittsburgh, PA @ Thunderbird Cafe
Tue. July 28 -- Arlington, VA @ IOTA
Wed. July 29 -- Philadelphia, PA @ Johnny Brenda's
Thu. July 30 -- Brooklyn, NY @ Bruar Falls w/ Hospitality
Fri. July 31 -- Brooklyn, NY @ The Bell House w/ The Mekons
Sat. Aug. 1 -- New York, NY @ Mercury Lounge w/ The Mekons
Sun. Aug. 2 -- Cleveland, OH @ Beachland Tavern
Sat. Sep. 19 -- Champaign, IL @ Pygmalion Festival

VIDEO: Akron/Family - "Sun Will Shine"



It reckons that, by now, any fan that was over the age of 21 when Akron/Family wafted into their town has witnessed the fire and brimstone spectacle provided by the now-trio.

This live video of "Sun Will Shine" won't initiate the ignorant nor will it give you a taste of the band's performance elements but it will provide testament to the power and emotion of Akron/Family's passion plays--minus Jesus crucifixion.

Wednesday, July 01, 2009

NEWS: Matt Mondanile dreams of the Skylife as The Parasails

Just as the indie blogosphere was openly embracing the work of such Matt Mondanile fare as Ducktails and Real Estate, he goes and begins yet another pseudonym: The Parasails.

Skylife may not be the first Parasails release, but it is the first for Bloomington, Indiana-based El Tule. When we were growing up, Bloomington was nothing more than the IU campus and an ultimate frisbee league but look at it now! DIY labels, a successful trifecta of indie labels, and a permanent spot at the top of party school lists.

Come Join us 500 feet above the Atlantic Ocean for the 1982 Summer Season. Enjoy the views of your favorite Beaches and wave to your friends below as you check out schools of Sealife. Parasails is a new project from purveyor of feel-good tunes, Matt Mondanile (Ducktails, Real Estate). More of the lo-fi, tropical nostalgia his fans have come to expect, but this time instead of sitting on the beach sipping on margaritas, this tape takes you for a dream-like flight above the coastline.

REVIEWED: Six Finger Satellite

Six Finger Satellite
Half Control
(Load)


Similar Sounds: Arab on Radar, Made in Mexico, Murder City Devils
File Under: proto-punk, rock, balls-to-the-wall





Half Control poses the question: Can a band, in a newly reformed line-up, pick up an abandoned album from 2001 and make it relevant eight years later?

As cliched a question as it is, it's the starting point for the return of Six Finger Satellite. Half Control began in 2001 before the band crumbled. In a new configuration, Half Control pushes the kraut leanings to the side to focus on post-punk riffage and synth-heavy melodies to produce an album as anti-2009 as it is pro-2009.

In other words, it's fuckin' great to have Six Finger Satellite back. That Half Control brings bit of an ass kicking to the rock party is a much needed change. Usually we're stuck with party rock, jock rock, or cock rock and while each provides a unique--albeit tired--brand of homogenization, Half Control resides in the recesses of the 90s Northeastern experimental scene that birthed unappreciated acts such as Arab on Radar and Lightning Bolt (among a worthy host of others).

The album hits fast and hard with the exception of "Artificial Light," "Bored Oracle," and the LP's title track--which are Half Control's standout tracks. While the peppered punches of "Live Legs" may leave the uninformed thinking Death from Above 1979, and "Thrown Out" is the sort of condensed explosion associated with The Stooges or Black Flag, it's the lengthy passages that find Six Finger Satellite as relevant and reared in eight years of quietness.

"Artificial Light" has all the bounce and angles of modern indie poster bands, but the 80s horror synth and the hard-hitting Bonham snare provides the track with a grit--the sort you can't rinse from your teeth. At least the aftertaste is delicious. "Bored Oracle" is an animal onto itself, though it recalls the mid-20th Century power trios that launched a thousand record execs. Thankfully, "Bored Oracle" isn't going to raise the eyebrows of cash-grabbing Quasimodos. The melody is filtered through a hybrid of Blue Cheer, Television, and Uncle Jim--combining the best of four decades of music into a 7-minute bully pulpit.

Half Control is the neurotoxin modern music has been silently begging to attain. Granted, there's a host of hotshots and DIY acts that tear houses down, inject the bland with a dose of poison, and laugh as Rome burns--but when an act as revered and reviled as Six Finger Satellite do it with material 8 years [seemingly] past-prime, it proves the wise never die; they just evolve.

TOUR DATES + NEWS: Christopher Riggs



Many of Riggs' dates happen to be with Matt Endahl--with whom he shares space on the recent cassette, Tangible But Not Communicated. It is just one of three new Riggs releases via his Holy Cheever Church label.


Jun 30 2009 Grog Shop w/Matt Endahl/Aaron Dilloway & Robert Turman/Fragments/DJ Dr Quinn Medicine Woman Cleveland Heights, Ohio
Jul 3 2009 35 S. Franklin St. w/Matt Endahl/Ron Stabinsky Wilkes-Barre, Pennsylvania
Jul 5 2009 Douglas Street Music Collective w/Matt Endahl/Teenage Burnout Brooklyn, New York
Jul 6 2009 TBA
Jul 7 2009 Garfield Artworks w/Matt Endahl/Dave Bernabo/Fall Rico Pittsburgh, Pennsylvania
Jul 8 2009 Robinwood Concert House w/Matt Endahl/Ben Hall Toledo, Ohio
Jul 9 2009 TBA, St. Louis, Missouri
Jul 10 2009 WHPK’s Pure Hype w/Matt Endahl Chicago, Illinois
Jul 11 2009 Enemy w/Matt Endahl/Neil Jendon & Mike Weiss Chicago, Illinois
Jul 30 2009 Bug Jar w/Pengo Rochester, New York
Jul 31 2009 Montreal, Quebec
Aug 1 2009 Boston Wire Sounds w/Vic Rawlings/Jason Lescalleet/Greg Kelley Boston, Massachusetts
Aug 2 2009 Weirdo Records Instore Northampton, Massachusetts
Aug 2 2009 w/Matt Krefting Band/Noise Nomads & P. Flathery Northampton, Massachusetts
Aug 3 2009 Flipped out Jacks w/Burnt Hills Albany, New York
Aug 4 2009 Death by Audio Brooklyn, New York
Aug 5 2009 Plays and Players w/Pima Group/Bee Mask Philadelphia, Pennsylvania
Aug 6 2009 Garfield Artworks Pittsburgh, Ohio
Aug 7 2009 Now That’s Class w/Cacaw Cleveland, Ohio
Aug 8 2009 Art Damage Lodge w/Early Tunnels(Jon Lorenz & Pete Fosco)/tim schwallie cincinnati, Ohio

Tuesday, June 30, 2009

TOUR DATES + NEWS: Generationals


The newest signees to Park the Van, Generationals, are hitting the road in support of their debut, Con Law. The West Coast and Southern states are in for a heaping helping of fun!


07-22 Missoula, MT @ Badlander
07-23 Spokane, WA @ the Blvd.
07-24 Portland, OR @ Someday Lounge
07-25 Seattle, WA @ ToST
07-27 San Francisco, CA @ Café du Nord
07-28 Big Sur, CA @ TBA
07-29 Sacramento, CA @ TBA
07-30 Costa Mesa, CA @ Detroit Bar
07-31 Hollywood, CA @ Hotel Café
08-02 San Diego, CA @ Bar Pink (free)
08-03 Phoenix, AZ @ the Trunkspace
08-04 Tucson, AZ @ Club Congress
08-06 Austin, TX @ Stubbs Jr.
08-07 Houston, TX @ Super Happy Funland
08-08 New Orleans, LA @ the Hi-Ho Lounge

REVIEWED: Wilco

Wilco
Wilco the Album
(Nonesuch)


Sounds Like: Jeff Lynne, Richard Swift, The Autumn Defense
File Under: indie pop, soft rock, 70s A.M. radio





Wilco has afforded many of us an opportunity to watch a band grow, evolve, and mature from its moment of birth to its current teenage stage of awkwardness and acne. When the dissolution of Uncle Tupelo led to the hotshot birth of Wilco, many were on-hand to see the baby known as {A.M.} crawl, waddle, and walk itself into the hearts of once-saddened Uncle Tupelo worshippers.

It didn’t take long for Wilco to learn how to strut as the group’s second album, the ambitious double-disc {Being There} not only explored the roots from which the band had sprouted, but also provided the slight clues to the pop-rock experimentation that became the group’s calling card through their infancy. {Summerteeth} proved the group—especially Tweedy—was much more than just alt-country collective. Five years in, we were in the throes of genius. This was no normal child; it was gifted and multi-faceted. It was nigh impossible to pinpoint what to expect.

The divorce proceedings between child and parent (Warner Bros.) that accompanied {Yankee Hotel Foxtrot} transformed Wilco from beloved grassroots favorites into cult stars. Eight years in, Wilco were finally calling their own shots, and even Warner Bros. had to give in to the madness. What followed ({A Ghost is Born}) was Wilco’s most ambitious album to that point. Despite being an uneven affair, {A Ghost is Born} gave fans a host of favorites to sing along with at the group’s jam-packed concerts. Ten years had passed and our little baby had grown into a cute, self-reliant kinder.

Then Wilco became teenagers and with puberty came changes many fans could not recognize. {Sky Blue Sky} found much of the harsh edges and angular riffs that had defined the group during the early part of the decade gone—in their place softer sounds reminiscent of 70s A.M. radio. A rift between fans began to form; those who have stood by the band since its inception were beginning to feel left out in the cold while those who had found Wilco through the chaos and controversy of {Yankee Hotel Foxtrot} were further embracing Wilco as their own. Of course there were plenty of people stuck in the middle, not knowing what to make of the heavily subdued Nels Cline solos and quiet fortitude of Glenn Kotche. {Sky Blue Sky} found a band at an acoustical crossroads, choosing to tell their stories in hushed tones—odd for a group thirteen years into existence. Their first act of teenage rebellion was to speak softly.

The whispers continue as Wilco near driving age. {Wilco the Album} may smack of the elbow-in-the-spine humor fans of Tweedy and company have come to adore through the ages (not to mention it completes the trifecta of {The Wilco Book} and Wilco toys) but beyond the cover art and a clever turn of phrase, {Wilco the Album} is as bland and uninspired as the joke would imply. Unlike {Sky Blue Sky}, which was an album’s worth of lullabies compared to the skronk and kraut of {A Ghost is Born}, there are glimmers of the ‘old’ Wilco hiding throughout which pairs well with the faint sounds of a Wilco saying their goodbye to this slow-down. Unfortunately, dissidents of the current Wilco phase will find it painful to stomach many of the eleven tracks that constitute Wilco’s latest.

Believably enough, {Wilco the Album} kicks off with “Wilco (the Song),” which is pulled from “The Late Greats” playbook, right down to selling the virtue of band’s in Wilco’s mold that forego pretense in favor of delivering rock in its many varieties—and like it’s sister song from {A Ghost is Born} it delivers happy pop in spades. The echoing message that Wilco loves us still rings true no matter how betrayed or welcome you’ve felt since {Sky Blue Sky}> As true as the opening salvo rings, it doesn’t make up for the lackluster follow-ups “Deeper Down” and “One Wing” that smack of {Sky Blue Sky}’s need to turn down the fun just as it was beginning, turning the guys from bandstand leaders into tired parental clichés.

Before you completely fall into a tuneless depression, Wilco is there to pick you back up with “Bull Black Nova,” which mimics the kraut urgency of “Spiders” and the pop power of “Hell is Chrome.” It’s the strongest five-and-a-half minutes of {Wilco the Album} in large part to the call-and-response provided by Tweedy and Cline’s guitars snaking throughout Pat Sansone’s pounding piano melody. Wilco was once the masters of building tension, as any fan of {Summerteeth} will attest. “Bull Black Nova” is the latest incarnation of those powers, blending the new pop-friendly sounds of Wilco with the band’s long stand aesthetics. The good times continue with lead single “You Never Know,” though the reasons for its successes are steeped in familiarity. The song’s opening riff takes over where Tom Petty’s “Jammin’ Me” left off and doesn’t stop until it runs head first into George Harrison’s {Cloud Nine}. Wilco has tapped into the summer radio tunes they lauded in “Heavy Metal Drummer,” although Kiss has been supplanted with Jeff Lynne’s sleek 80s production. However, “You Never Know” also provides the evidence to the downfall of {Wilco the Album}: it’s too familiar.

Despite the rift in the fan base due to {Sky Blue Sky}, the overarching positive to draw from it was that it found Wilco going in a new direction; eagerly casting aside the spastic and raw guitar solos and Crazy Horse jams in favor of capturing the sounds of radio’s past. {Wilco the Album}, for its bright spots, doesn’t cover any new ground. Even the album’s strongest tracks harken back to recycled A.M. frequencies—not to mention Wilco’s own vault. As the album draws on, it becomes impossible not to compare “Solitaire” to “Bob Dylan’s 49th Beard”; “Sonny Feeling” to “Pick Up the Change” and “I Got You.” These new tracks may be represent the matured Wilco but you won’t shake the feeling that you’ve heard it long ago in a more romanticized time and a more nostalgic setting.

{Wilco the Album} is the warm comforter we seek when summer fades and fall’s evening chill grabs hold. It’s a known quotient; comforting and hard to part with in lieu of its slight tears, faded prints, and tattered edges despite the ever-present feeling that a new blanket is needed. {Wilco the Album} isn’t a failure—not by any means—but when a band has become attached to the notion of change and doesn’t, it casts a heavy shadow hard to escape. It’s always a pleasure to hear new Wilco and the future looks to hold bundles of new and eccentric output, but even the best and brightest grow a little dull from time to time and {Wilco the Album} could have used a bit more cream to clear up Wilco’s pimply face.

NEWS: Faceworker and Cloaked Light share a cassette

Often acknowledged as a 'split', the phenomenon of two artists and/or bands sharing a regulated piece of plastic on which sounds--or music--is emitted may seem foreign to some. Logically, one band would rather fill an EP or LP with a bunch of 'filler' than share their spotlight with other musicians whether they are on friendly terms or not.

Thanksfully Faceworker and Cloaked Light aren't selfish. Both take up a cassette side on the first release from Field Studies. To boot, all proceeds benefit Joe Raglani and Steve Hauschildt.


Faceworker is Brett from Catholic Tapes, Exercise (with Arbor Mike), Druids of Huge
Cloaked Light is Peter from Young Tapes, Color Dream (with Arbor Mike), and other pseudonyms

Side A is a bell field of LFO modulation and inner vistas of partial tones
Side B is a morph of low end mind zone, slowly opening darkened passages

NEWS :The Black Hollies venutre Softly Towards the Light


EVP may be the first to scoff at the trend of everything old is new [again] but sometimes there's a seam of thought from the 50s, 60s, and 70s that needs to be re-examined in the not so harsh light of modern times. There were copious amounts of great music barely heard and ideas barely scratched during pop music's extravagant decades.

The Black Hollies--not dripping with the stench of the past but lightly spritzed with it--deftly combines the sounds of the British Invasion and beach psychedelia with post-modern thinking; the sort of combination that keeps the band hip in the face of chasing polyester appeal and dipping their pen too deep in the company's decades-old ink. Softly Towards the Light aims to continue the trend of bridging old influence with new style that has become the band's calling card. The album is due October 6th via Ernest Jenning Record Co.. You can stream the album's first single, "Gloomy Monday Morning," via the band's MySpace page.


Their debut LP, 'Crimson Reflections,' followed shortly after, and in March of 2008, the group's second LP, 'Casting Shadows' was released. The departure of one of the group's founding members, drummer Scott Thomas Bolasci, was an extremely sad but understanding one. Shortly afterwards, percussionist Nick Ferrante filled the drum throne and the band set off on two tours of North America. Upon returning back from their second tour, Justin Angelo Morey heard a song called, "If It's All The Same To You Babe" by the Luther Ingram Orchestra. This particular song would serve as the catalyst for the upcoming writing sessions that would immediately follow their return home. It's nearing the end of May 2009, and as we speak, the world is anxiously awaiting the arrival of their third LP, "Softly Towards The Light," scheduled for release shortly after the album's first single, "Gloomy Monday Morning," becomes this Summer's floor filler anthem.

Softly Towards the Light Tracklisting:

1.) Run With Me Run
2.) Gloomy Monday Morning
3.) When You're Not There
4.) Everything's Fine
5.) Number Ten Girl
6.) Lead Me To Your Fire
7.) Let Me Be The One
8.) Can't Stop These Tears (From Falling)
9.) How Did We Get Here
10.) Don't Be Afraid To Ask

Monday, June 29, 2009

TOUR DATES: Gang Gang Dance




August 2nd at Pearl Street Nightclub in Northampton, MA
August 3rd at Bug Jar in Rochester, NY (with Hex Message)
August 4th at Kung Fu Necktie in Philadelphia, PA (with Hex Message)
August 5th at Ottobar in Baltimore, MD
August 6th at Circus in Columbus, OH (with Hex Message)
August 7th at Magic Stick in Detroit, MI (with Hex Message)
August 9th at Lollapalooza in Chicago, IL
August 28th at Troubadour in Los Angeles, CA
August 30th at Rickshaw Shop in San Francisco, CA
September 2nd at Depot in Arcata, CA (with Extra Golden)
September 3rd at The Works at Washington High School in Portland, OR
September 4th at Biltmore Cabaret in Vancouver, BC
September 5th at Bumbershoot Festival in Seattle, WA

NEWS: Raglani/Hauschildt Cleveland Benefit


You may recall EVP railing against the asshole who stole the equipment of Joe Raglani and Steve Hauschildt last month. We weren't the only ones to express outrage, sympathy, and support.

The good news keeps coming, well if you live in Cleveland, you can do your part to aid the recovery cause on July 3rd by attending the Raglani/Hauschildt benefit. Headlining the show will be Aaron Dilloway (formerly of Wolf Eyes...duh!) with Mark McGuire and Steve Hauschildt playing the role of DJs.

LIVE REVIEW: David Byrne

Photo by Jason Ross



The Paramount Theatre
June 24, 2009
Seattle, WA


Decked in white, David Byrne and his ensemble of musicians, singers, and dancers set the stage for a big tent revival; the sort of affair most associated with backwoods evangelists and Steve Martin’s Jonas Nightengale from {Leap of Faith}. Unlike the snake oil salesmen Byrne resembled, he sold no false prophets or wisdom, rather delivering a sermon on high full of existentialism and whimsy.

The Brian Eno-fueled evening kicked off with “Strange Overtones” from {Everything That Happens Will Happen Today}, as Byrne regaled the eager crowd with a story of love and basking in the glow of beats 20 years past due. It’s hard to come to grips with such a flippant idea considering much of Byrne’s canon still sounds as fresh and groundbreaking today as it did from not one of {‘77}. The dance rhythms of “I, Zimbra” followed, further proving the point that what is old is new again in the hands of Byrne and his young but talented band. It was the first time the crowd laid eyes on the skillful dancers in Byrne’s employ, each re-enacting the akimbo limbs and devil-may-care movements that made Byrne an early music video star to throngs who had not witnessed his outrageous choreography for themselves. No amount of stage antics distracted from the pulpit from which Byrne spoke, and when he launched himself into “Help Me Somebody” from {My Life in the Bush of Ghosts}, it was evident that while we may have been a willful congregation, the person Byrne was speaking to was himself—granted, his words dripped of irony and wit but the frenzied state the crowd worked themselves into mirrored Southern Baptist parishioners being saved by the word of Byrne.

Of course, the evening did not carry the weight of sin and salvation but the fervor blanketing the crowd carried Byrne and crew higher and higher. The stakes were continually raised, and aside from the crowd sitting through the slow sides of {Everything That Happens Will Happen Today} (“Life is Long,” “One Fine Day”), not one ass was to be found in their assigned seat. Old Talking Head favorites garnered the largest responses, and as “Heaven,” “Life During Wartime,” and “Once in a Lifetime” wound down the set, not an ounce of energy was spared by performers and crowd.

The encore ratcheted up the pomp, with “Cities” building the tension for Byrne’s bug surprise: an invasion from the San Francisco outfit Extra Action Marching Band. The blend of ‘60s hygiene, ‘70s glam, and ‘80s decadence emitted from the flashy freaks paraded down the aisles to astonished gasps and unbridled cheers. Once they made their way to the stage, it became an all-out assault on Talking Head classics “Road to Nowhere” and “Burning Down the House.” If Byrne were to preach about the ride to hell being worth the fun, there’s no doubt this would provide more than enough proof. It was hard to take your eyes off of the thirty bodies heaving and shaking with the spirit of Brian Eno and David Byrne, and it wasn’t until the subdued finale of “Everything That Happens” that dust settled and our souls were set free.

Monday News Mash-Up

>> In the sorrow caused by the deaths of Michael Jackson and Farah Fawcett, many missed the passing of Sky Saxon, a member of the The Seeds as well as Source Family--the group associated with spiritual leader and folk mystery Father YaHoWha. L.A. Record has a wonderful eulogy from current Wilco fixture and friend of Saxon, Nels Cline.

>> As rumors of a lengthy Blur reunion persist, the group stokes the flames with the announcement of the release of limited edition recordings of the band’s upcoming July 2nd and 3rd Hyde Park shows in London. You can pre-order the 2xCD sets or MP3s but be prepared to give up a few pounds (in currency, not in weight though it’d be a marvelous diet).

>> Yoko Ono will release Between My Head and the Sky September 22nd. The album will feature son, Sean Lennon, as well as the talents of Yuka Honda and Cornelius.

>> Forget the Night Ahead is the title of the upcoming Twilight Sad LP, due in late September. The band is already offering up the single “Reflection of the Television for download.

>> Amy Milan, better known as the lovely female chanteuse of Stars, is readying her second solo album, Masters of the Burial, for a September 8th release date. The follow-up to Honey from the Tombs will feature a guest appearance from Feist (she’s everywhere!) and a cover of Death Cab for Cutie’s “I Will Follow You Into the Dark.”

>> Billboard announced this week that the cause of Jay Bennett’s death was an accidental overdose of fentanyl. The pain killer is prescribed to alleviate chronic pain. It was widely discussed that Jay was awaiting a hip surgery before his May 24th death.

>> Local doom behemoths sunn O))) have the West Coast in their sites with a planned tour that kicks off with a two-night stand at Neumos August 5th and 6th.

>> While Seattle gears up for Bumbershoot, our friendly neighbors to the south in Portland are readying their annual blowout, Music Fest Northwest. The September 16th-19th festival announced its line-up this week, which finds the newly reunited Sunny Day Real Estate at the top of an eccentric list that includes Girl Talk, Mudhoney, Explosions in the Sky, Bad Brains, and a list too long to reproduce in this space. That’s why clickable links were invented.

Friday, June 26, 2009


Michael Jackson Mixtape via Phrequency

(EVP will return Monday with regular updates)

Thursday, June 25, 2009

NEWS: Volcano Choir arises from Collections of Colonies of Bees and Bon Iver


The music world is afloat in a sea of side projects. The need for musicians to explore every fascination may be at an all-time high, so it should come as no surprise that members of Collections of Colonies of Bees and Bon Iver would meet up, become friendly, and join like Voltron to become Volcano Choir. The new entity will release their debut album, Unmap, September 22nd via Jagjaguwar.


One might find these old friends also frequenting records and stages under the monikers Collections of Colonies of Bees and Bon Iver. The Volcano Choir collaboration predates the meteoric rise of Justin Vernon's Bon Iver project, with original songwriting dating back to the summer of 2005 - right around the time the Bees first toured with Vernon's previous band DeYarmond Edison.

While entirely a studio record, the collection doesn't suffer from a digital pile up or over-thinking. Rather, it breathes and convulses in equal measure, radiating an inherent dynamism found only in the voluntary bondage of intimacy. With influences ranging from David Sylvian and Steve Reich to Mahalia Jackson and Tom Waits, it might be more accurate to say the group's influence is music itself. You can hear it in the care and real love generously applied to each moment of Unmap. With the vibe of some intimate backwoods gospel, plus a spirit of patience and thoughtful repetition, the music of Volcano Choir is as dynamic as it is lovely.

Unmap ultimately came together over a weekend in November 2008 in Fall Creek, Wisconsin, at Justin and brother Nate Vernon's recording studio. And while it is at its heart a record about the allure of being with people you need and making something with them, it is also a document created by musicians with rare gifts getting together to exorcise their ideas about beauty. This scaffolding of loops and off grid tempos for choral style vocals offers a state of continual surprise, call it unexpectation.

Unmap Tracklisting:
1. Husks and Shells
2. Seeplymouth
3. Island, IS
4. Dote
5. And Gather
6. Mbira in the Morass
7. Cool Knowledge
8. Still
9. Youlogy

SEATTLE SHOW GAL: Cheyenne

Have you ever encountered the overwhelming feeling to jump in your car and drive until you hit Cheyenne? Probably not, considering how terrible Wyoming is as a whole. However, should that scenario ever play out, maybe you can save yourself some gas money and time in hell by just checking out local hardcore act, Cheyenne. Let Seattle Show Gal show you the path...

To view the full review, read interviews with the artists, and see videos of the performance(s) via Seattle Show Gal, just click the artist's name.



Cheyenne

Cheyenne really had some heavy things to say. Whether their songs were talking about racism, social injustice, or just activism in general, each song was taken from reality and driven from the desire to make a change. The chaotic aftermath of this show came as no surprise; Cheyenne is hungry to make a difference in a tumultuous society.

NEWS: Jim James unveils clever name; George Harrison covers

My Morning Jacket frontman Jim James is keeping himself busy these days. When he's not growing and grooming his beard or recording as Monsters of Folk with fellow guitarists/recordists M. Ward and Conor Oberst, he's holding his tongue and calling himself Yim Yames.

No, we're not making that last bit up.

Going solo, James will be releasing Tribute To, a 6 song EP of George Harrison-penned tunes (4 solo, 2 Beatles tracks if you're counting). The mini-collection will be available August 4th via ATO, with the promise of nabbing the EP a month early via download from the Yim Yames website. Tribute To will be also be available on CD, with a chance to nab a limited edition 7-inch vinyl.

You can head over the website right now and preview "Behind That Locked Door."


A few days after George Harrison passed away in 2001, Yim Yames was moved to record this six-song EP of Harrison covers, paying tribute to a man that he never met, but with whom he felt a special connection. The tracks have a serene quality that mourn the loss of a legendary spirit while celebrating his enduring influence.

On the EP, Yames performs beautiful renditions of four cuts from Harrison’s classic album All Things Pass as well as two of the Beatles tunes that he penned. These six tracks have a raw, minimalist feel – featuring little more than Yames’s vocals and acoustic guitar. With all the space, the room in which the tracks were recorded truly serves as another instrument in the mix, creating an ethereal aura for a backdrop.

From his warm, multi-layered vocals on opening track “Long Long Long” to his near-whisper at the end of album closer “All Things Must Pass,” Yames sings in a fittingly intimate manner. In the album’s liner notes, he refers to Harrison as “a prime example of the healing power of music.” These words apply just as much to this EP. As the final chords on Tribute To ring out, one can’t help but feel a deep, satisfying sense of catharsis.

Tribute To Tracklist:

1.) Long Long Long
2.) Behind That Locked Door
3.) Love You To
4.) My Sweet Lord
5.) Ballad of Sir Frankie Crisp (Let It Roll)
6.) All Things Must Pass

NEWS: Digitalis uncorks a new cassette batch










In America's breadbasket, Digitalis keeps pumping out limited edition cassettes for rapid fan bases. The assembly line is so fast and furious, we're reminded of the classic I Love Lucy episode--y'know, the one where Lucy swaps out the old furniture with brand new furniture behind Ricky's back. What other classic episode were YOU thinking of?

One's eyes are probably drawn to the Goodwillies/Black Eagle Child split considering BEC's star is on the rise in many circles. Also impossible to ignore is yet another new pseudonym--Space Dive--for Digitalis owner Brad Rose. At this point we have to assume Rose just has a stash of band names in a Rolodex.


ltd#76: meditations "precipice" c20
with a name like meditations, you'd probably assume something with a spiritual bend would be coming up the tubes. but no worries - these sprawlers are looking to take you deep down into the muddy depths. this trio absolutely kills it on "precipice." blown-out, brooding synths pummel your senses left and right while vocals from hell taunt you into taking the fall. this is one dark fucking ride, a cut-up masterful mess. specks of light try to escape in the form of distant, bright melodies but they're quickly destroyed by the impending hellacious mess.

ltd#82: space dive "twenty-first century sport" c39
once again i struggle to yammer on about my own projects, so i'll keep this short and sweet and let the sound samples speak for themselves. story is, even as the north sea shifted focus, i was still writing songs here & there on the old guitar. but in those manifestations, they weren't doing much for me. what to do? rework the songs for synthesizer, listen to a lot of bauhaus and suicide, and see what happens.

ltd#86: young boys/fm.face split c28
oh this little gem of mine, spit & shine spit & shine. young boys and fm.face are two newborn projects hailing from opposite coasts, but when they join forces on this tape it's to melt your face off. young boys kick it on first with thick reverb post-punk spirit and stonewalled vocals belting it out, these five songs are covered in new york slime. these songs are bleak but laced with something sweet that keeps you coming back for more and more.

fm.face is like the rascally younger brother who is out to show how he can really fuck shit up in a royally awesome way. these songs are punked-out wastelands. angular guitar lines repeat to infinity on top of overblown drum machines while fm.face just absolutely fucking belts it out. look out below.

ltd#87: black eagle child & goodwillies "bamboo airships" c40
it's pretty common knowledge that here at digitalis hq we love (FUCKING LOVE) collaborations, postal and otherwise. so when the black eagle child himself approached me with the idea of this release, jaws dropped and praises were sung. once the master showed up, every expectation and preconception was put to pasture and blown to outerspace. what an absolute beast.

black eagle child weaves a devastating web of guitar exploration here, opening the proceedings with simple chord progressions that long for death. tim goodwillie brings it up a notch with equally biting organ drones. the combination is stunning x10. you will ache. and you will love it. and when it folds in on itself and becomes a summer jamboree mixed with keyboard fuzz and hypnobeats, the sweetness reaches new heights. scorched earth guitar workouts find their way into the mix and find themselves engulfed in a psychedelic swash of tribal debris.

ltd#88: pink priest "cat tails // at the mouth of swollen summer" c20
this semi-recent discovery has quickly manifested itself as one of my total faves. pink priest hails from northeast arkansas and is further proof that there's tons of amazing, amazing shit happening in the furthest reaches of the u.s. "cat tails // at the mouth of swollen summer" is the perfect soundtracked for the soul-melting heat that's currently crushing tulsa. pink priest finds simple, exquisite melodies and plucks them out of the air only to drown them under 20,000 leagues of sea water.

keyboards are bent and mangled into unrecognizable swells; tones pitch forward looking like they're ready to take the ultimate swan dive. this music is dense, but more like a wall of helium than a mass of steel. minimal percussive bursts pop up at times adding a mechanical resonance to the proceedings. when pink priest adds in sepulchral vocal incantations it's like aa perfect drug. all the while, though, these synthetic, keyed drones light a new path through the ozark skies. total diamond style.

ltd#90: charlatan "destinations" c30
the rise (or fall) of charlatan continues on an upward arc of synth excess. tonal bliss, minimal shifts, arpeggios to the sky. oklahoma confined. incredible art by hoy-joy.

ltd#91: ester poland "hippi, kanuuna ja Kiinan torni"
man, finland... it never stops does it? it really never does. just when you think the terrain has been scoured and every last pore drained til the last drop, something new comes along with such star-searching bombast that you get knocked square on your ass all over again. ester poland are the latest in a long line of impeccable sound sculptors out of finland, but this screeching duo are riding their own astral baby well into the new millenium. guitar freakouts worm there way into cavernous squalls, stretching from here to forever. even when they pull things back and break out the acoustic strum, there's so much cacaphony happening under the surface that you'll never escape the chaos. these blasts are psychedelic as fuck and will strip you down to the absolute core. finland wins again.